索卡·台北 | 展览预告【去远方】张英楠个展明日开幕

展览资讯来源：索卡艺术 2018-12-07 20:03

去远方-张英楠个展2018/12/08(六)–2019/01/13(日)···开幕 12/08（六）4pm···索卡艺术.台北丨台北市中山区堤顶大道二段350号佛洛伊德曾在《梦的解析》一书表示艺术家创

去远方-张英楠个展

2018/12/08(六)–2019/01/13(日)

···开幕 12/08（六）4pm···

索卡艺术.台北丨台北市中山区堤顶大道二段350号

佛洛伊德曾在《梦的解析》一书表示艺术家创作时就犹如作梦般的转移及倒置进行构思，因此作品本身就是艺术家内心潜意识的再现。《去远方》为张英楠在台北首次个展，无形中表述艺术家于质朴生活中哀愁与美丽，让观者进入影像世界中，从过去到现在、黑夜到白昼，历历在目又逐渐远去既是虚幻又是真实，仿佛从中获得一种孤独认同与未来的渴望。他借助图像和记忆，透过绘画去了解世界与他的关系，空间的建筑就像是记忆存在方式，一种多维度重叠交错的状态。艺术家的构图引人想像，更因这般的神秘气质，今年三月作品由索卡艺术携手合作于Art Basel 国际艺术盛会创下收藏佳绩获得好评！作品《镜心》也是七年前被著名音乐人、收藏家姚谦收藏，成为电影《一个人的收藏》的宣传海报。

生于80年代的张英楠来自北京，他的用色和构图与其他艺术家相比少了直接与激情性，但多了许多哲学性的思考，总有难以言喻孤独与宁静诗意。能被张英楠的作品给吸引，自然会对他的成长背景产生兴趣，自十岁后搬到宝鸡后再至西安美术学院毕业，经历城乡间差异首要反映在人与人间的远离，这与乡下的大院子情感紧密则截然不同，童年单纯美好记忆早已另存新档在艺术家的载体。

每当回忆过去发生的事情，它就会被艺术家隐藏好在所建构的空间里，他的绘画世界表现出很强的失落感，无论是空旷的厂房、高低错落的建筑体或是四周布满落地窗的空间，都留露出一股孤独与伤感。正因为张英楠的空间正表达着与社会的心理状态：人与人间疏离、对未来既憧憬又不安及对家的愁思等这些都是身为这世代人的无奈。艺术家就像导演，伴随之伴来的每个情景就如电影运镜般一幕紧接着一幕不断涌现，试图让人的内心静下，慢慢地引导观者进入他的作品。

作品《告解室》以「空间」为主体，透过艺术家的转换搭建于虚构与真实之间，《告解室》如同艺术家无数次面对创作的自语式告白。作品《在拂晓》代表着一切艺术本源的开始和出发点。这件作品中用了近似平分的比例代表过去和现在，远处的风景代表艺术即美，画中的书本表宗教，中间黄色部分代表科学，也象征着人类文明发展的指引。

告解室 |油彩画布 | 97x130cm | 2018

在拂晓 | 油彩画布 | 130x170cm | 2018

这样演进过程对于身为创作者的张英楠更为重要，艺术是什么？也是他每天在找寻的答案，或许在目前的人生旅途中尚未得到正解，但过程中他明白他所热爱的艺术将会持续着而不变。每个人在人生各阶段都曾有过孤独，但艺术家将孤独转化成色彩，这便是他所感受到的生活真实。艺术家绘画空间同时也是诉说着他对家的愁思，并透过不同的空间折射出可被观察和认知的自己。 12/08号下午四点诚挚邀请您前来感受张英楠《去远方》展览中实现绘画与自我的对谈。

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Faraway | Zhang Ying Nan Solo Exhibition

2018/12/08(Sat.)–2019/01/13(Sun.)

···Opening12/08（Sat.）4pm···

Soka Art. Taipei丨No.350, Section 2, Tiding Boulevard, Zhongshan District, Taipei.

Freud once wrote that the artist's creation is like a dream-like transfer and inversion in the book The Interpretation of Dreams, so the work itself is a reproduction of the artist's inner subconscious. Farawayis Zhang Yingnan's first solo exhibition in Taipei, which expresses the artist's mourning and beauty in the simple life, allowing the viewer to enter the world of imageries, from the past to the present, the night to the day; the visual presentation and its gradual disappearance is both illusory and real, as if to obtain a desire for loneliness and future. He uses images and memories to understand the relationship between the world and him through painting. The architecture of space has been transformed into the way of memory existence, a state of multi-dimensional overlapping and interlacing. Zhang's composition is imaginative; In this March, his works were presented by Soka Art atArt Basel Hong Kongand achieved great success. In addition, the work "Mirror Heart" has become the poster of the film "One Man's Collection", which have been collected by famous musician and collector Yao Qian seven years ago.

Zhang Yingnan was born in the 1980s in Beijing. His colour and composition are less direct and passionate than other young artists. Zhang's work is filled with his philosophical reflections, and always possesses a indescribable sense of loneliness and serenity. The unique style in Zhang's paintings is profoundly tied to his childhood memory: Zhang moved to the small town Baoji at the age of ten and attended the Academy of Fine Arts in the provincial capital Xi'an. He experienced the dramatic difference in human relationships between the urban and rural life---the way in which urban dwellers interact is far less intimated and genuine than those who live in the collective courtyard.

The artist often construct spaces in his painting to hide and interweave the memories from the past. The world in his painting shows a strong sense of loss, whether it is an empty factory building, the high and low-rise skyscrapers, or a floor-to-ceiling window--it is always full of loneliness and sadness. Through these constructions, the work captures the psychological state of society: the alienation between people, the uneasiness of the future and the sympathy for the family, which drive our generations into the depth of helplessness. The artist is like a director, and every scene accompanying him is a scene set which constantly emerges and vanishes, trying to calm the viewers and slowly guide them into his work.

The work The Confessional is based on the spatial concept and is specifically constructed between the fiction and the reality under the transformation by the artist. The work At dawn draws on the beginning point of all artistic origins. In this work, the proportion of the approximation is used to represent the past and the present. The scenery in the distance represents art and beauty, the book in the painting represents the religion, while the yellow lines symbolise science and the development of human civilisation.

The Confessional |Oil on Canvas | 97x130cm | 2018

At Dawn | Oil on Canvas | 130x170cm | 2018

This evolution process is more important to Zhang Yingnan as a creator. What is art? The artist looks for its answer every day, which, perhaps, can never be found in his current life journey. However, thanks to such searching process, he begins to realise that the art he loves will continue to change. Everyone has had loneliness at all stages of life, but the artist turns loneliness into colour, which is the real life he experiences. The artist's painting space also tells his thoughts about his home, and reflects his own self-observation and cognition through different spaces. At 4 o'clock on the afternoon of 12/08, Soka Art sincerely invites you to come and experience Zhang Yingnan's "Going to the Distance" exhibition to realise the dialogue between painting and self.

部分展出作品

Selected Artworks