醒醒醒醒——强天锴个展

展览资讯 2019-11-17 17:46

展览也同时展出了强天锴在行为和社会实践中的一些影像记录作品，也是我认为这些该是他此次展览中最为重要的一些作品。

醒醒醒醒——强天锴个展

艺术家：强天锴

策展人：蒋馨逸

总策划：戚苇玮

展期：2019.11.09--2019.11.23

地点：西安山有木美术馆 | 西安市东大街端履门46号云龙大厦4层

Wake up and wake up - Strong Tianyi Solo Exhibition

Artist: QiangTianqi

Curator: Jiang Xinyi

General planning: Qi Weiwei

Exhibition period:2011.19.09 - 2019.11.23

Venue: Xi'anshan Youmu Art Museum | Yunlong Building, No.46, Duanmeng, East Main Street, Xi'an

前几日去西安山有木美术馆参加了艺术家强天锴个展的开幕式，回来想了几日，没忍住，还是决定多嘴的评价和推荐一下这个展览。

艺术家强天锴的作品，架上作品有很多还是很不错的，但是我很难认为它们是成熟的作品，作品基本是在意象与抽象之间过渡、徘徊，也确实会有一些有意思的地方把人吸引。反抗灵魂中的欺骗，或对虚假价值的激烈反叛，他善用粉色，我们熟知粉色在生活中代表着可爱，温馨，娇嫩、青春、明快、恋爱、萌……一些美好的画面，但他却用夸张的画面结合来阐述着自己的社会责任感，这一点是有些大胆，同样这也是他的亮点。

In the past few days, I went to the Xi'an Mountain Museum of Wood toparticipate in the opening ceremony of the artist Qiang Tiankai's soloexhibition. I came back for a few days and didn't hold back. I decided toevaluate and recommend this exhibition.There are many works on the shelves ofthe artist Qiang Tiankai, but it is very good, but I can hardly think that theyare mature works. The works basically transition between imagery andabstraction, and there are indeed some interesting places. People are attracted.Resist the deception in the soul, or the fierce rebellion against false values,he makes good use of pink, we know that pink in life represents cute, warm,delicate, youthful, bright, love, cute... some beautiful pictures, but he It isa bit bold to express his sense of social responsibility with an exaggeratedcombination of pictures. It is also his highlight.

趣味性也同时存在于他的作品之中，不过算是隐藏，在每个作品展签中有一两句短话，我认为这些隐藏的话，给它作品赋予了更大的力量，但是的确有些话术是让人看了会在不经意间笑出来。

Interestingness also exists in his works, but it is hidden. There are one ortwo short words in each exhibition. I think these hidden words give it morepower, but there are some words. It is a person who looks at it and laughsinadvertently.

展览也同时展出了强天锴在行为和社会实践中的一些影像记录作品，也是我认为这些该是他此次展览中最为重要的一些作品。在当今视觉艺术的存在意义已不仅仅是单纯美学意义上的玩味，更成为不断为世界前行提供精神动力和思想指引。而强天锴似乎也是这样理解的，视频记录作品中似乎对于视觉美学并不在意，更多的是一直在提供着作品背后的思想和观念表达，我看了所有的视频，有一部作品对于实验电影出身的我看到这些画面是难以接受的，画面有些“脏”，脏到什么程度呢，我在展厅转了好几次才将它看完。不过这些作品的力量性更大，会让人“恶心”到回味，回味它意义。廉价的美学轻浮不足道，而放弃美学，才会突出重点。

The exhibition also featured some of the image recordings of Qiang Tiankai'sbehavior and social practice. I think these are the most important works in hisexhibition. The existence of visual art in today's visual arts is not only amere taste of aesthetics, but also a spiritual impetus and a guiding guide forthe world. Qiang Tiankai seems to understand this way. The video recording worksseem to be not concerned with visual aesthetics. More is to provide the thoughtsand concepts behind the works. I read all the videos and there is a work for theexperiment. I saw these pictures in the film, which is unacceptable. The pictureis somewhat dirty. To what extent is it dirty? I switched it in the exhibitionhall several times before I finished reading it. However, these works are morepowerful and will make people "disgusting" to the aftertaste and recollect itsmeaning. Cheap aesthetics are frivolous, and giving up aesthetics will highlightthe point.

引用马松曾写的一句话“……对我来说，与主流趣味相悖，是最有价值的东西……凡是被我们生活的社会所嘲弄、蔑视和不能理解的，都是未来的希望……”

1953年的一句话，现在看来是有些历史感了，不过却是可以赠予强天锴的，对于强天凯这位年轻艺术家而言，未来是具有挑战性的，但也是的确有未来的。

——段文亮

Quoting a sentence that Ma Song once wrote "...for me, it is the mostvaluable thing to be contrary to the mainstream interest... Anything that isridiculed, despised and incomprehensible by the society we live in is the hopeof the future... ..."In 1953, it seems that there is some sense of history, butit can be given to Qiang Tiankai. For Qian Tiankai, a young artist, the futureis challenging, but it does have a future.

——Duan Wenliang